this video is brought to you by story blog whatever you guys like Rc and welcome to where we recreate effects for famous movies and music videos and today we’re having a look at three more effects from the music video seeker mode by Travis Scott featuring Drake but today we are going to do things differently because Jordy still on vacation together with his girlfriend Kim but I’m sure that they are missing us isn’t that right mmm that hurts [Music] guys and that’s supposed to be in this video I mean look around me I got better things to do anyway since there’s a camera in me
now I’d like to make a quick shout out to story blocks our channel sponsor sorry blocks is an online library where you can find Alight Motion templates stock footage transitions video effects and a ton more I’m currently in Iceland making a beautiful travel video and a lot of the shots that I’ll be taking here will also be published to their library so if you already have a membership you can just download them when they are available and if you aren’t a member yet well then definitely make sure to check it out by clicking the first link in the description below walk further geordie as for today
we’re again having a look at psycho mode from Travis Scott and Drake because last week we showed you how to do two hyperlapse effects and a slanting effect in this video we are recreating in other three effects but this time it’s all gonna be in Premiere Pro but first let’s build a nice set so we’re giving the cars an extra touch we’re going to put these specular from spiffy gear under a car so you get that neon look like all those student cars from need for speed and fast and furious in the sync mode music video there is a certain effect named data machine this is an effect where the data of the footage is manipulated in order to achieve this kind of glitchy pixel transition now we are going to recreate its transition with Premiere Pro and an additional software if you want to create a good data mushing effect you have to create motion in your shot either do this with a camera movement or you can do it in post-production like we are going to do this way the motion will be in tensor and the effect will come out better in the music video you can also see two kinds of data mushing one we are averaging mushes and one where a person is cut out we are going to explain the one where the person is cut out because the other one works exactly the same for the one with a person cut out we are going to use a green screen in the same scene that you are putting your subject try to imagine lighting as good as possible so it really looks like he’s standing in the scene to director in front of the green screen and should your background without the actor
now let’s get into Alight Motion from the project panel drag the clip from Janak into the timeline on this we are going to add a pre glitch so go to your effects panel and look for the turbulent displacement effect from the effects control panel you can set it as placement to horizontal displacements then scroll to almost the end of the clip and enable the animation for the amount and set this to zero go to the end and decrease it to 350 now we are going to set the other parameters so stick with me set-asides 253 the offset to 1080 2 by 366 it complexity 210 evolution to 187 and a random seed to 94 I know this was fast but normally you already got a kukri glitch after this you can put the background on track number 1 in a green screen shot on track number 2 and go to the opacity properties in the effects control panel you want to click on the pen tool which you can use to create a mask roughly create a mask around your actor to remove your surroundings after you have done this look for the ultra key effect in the effects panel drag that to your green screen clip and with the color picker you can then select the green to remove it now you have your actor standing in your scene simple as that nest everything together and add a simple zoom in to add some movements you can do this by animating the scale from 100 to 105 sadly you can dead Amash and Premiere Pro so we have to use a different software named data marsh studio this is a free software which you can use for data moshing and you can download it through the link in the description below before we can start with the moshing we have to have two clips to wash it all together and create a transition that’s why we have to render out or two clips
we just made this has to be done one by one now you’re probably thinking why the green-screen end well we’ll come back to that later after you have two Clips you can start up the data March to do until ask you to open a project or create one just simply create a new one and create a new folder for it I’m going to do this on my desktop so we can easily find it back later when this is done adjust the width and the height to 1920 by 1080 and click Save on the top right you can then import your two videos you want to March this has to be done one by one when locating your footage it can be that you don’t see your footage in your folder
I had the same issue but that can be fixed easily adjust the format on the right bottom corner to do one from your footage now you will see all your clips select the one you want and click import double click on your clip that has to come first you can then insert it in the timeline through the panel in the right bottom quarter set the starting and end frame and press insert do the same for your second clip but check delete iframe check box from now on of course you can add as many clip as you want just don’t forget to delete the iframes after you have done this set the beginning of the iframe box above the timeline to your begin clip now you can hit the export tab on the left bottom corner and press export effort it’s done exporting you can hit the play button under export tab and check out what you have created fine-tune if necessary if not the program already renders it in the folder your special created for this
let’s get back into Premiere Pro and import your data Marsh clip create a new sequence with the data Marsh video on the first break now you have a data Marsh effect for everything glitches but we want to cut out Lorenzo so that he stops glitching earlier that is where the green screen shot comes in place the green screen shot on top of the data Marsh clip sync them both and trim the green screen shot to where you want it to start go into your effects control panel and to the opacity properties enable the animation for the opacity a let’s start at zero go a few frames further in time and change it to a hundred another thing you can do is let the data merge background fade back to the regular background just place your background on the same track as a data Maj make a cut in the data merge background where you wanted to end and place a regular background against it and the cross dissolve if necessary whoo I hope you all got that because it will give a very cool transition effect if done right [Music] very cool indeed but now let’s dive straight into the second effect which is going to be these moving overlays you can see right here in the sake of mode music clip you can do this effect on every shot you want but we are going to use our background and green-screen shot again to make it ourselves easier back in Premiere Pro you want to place your background on track number one on top of that we’re going to place a star clip which we got from story blogs once you have placed your star clip on the second track create a small rectangle mask from the top to the bottom starting from the left side in the opacity property you can set its feather to zero and go to the timeline and make a cut after three frames in the clip after that cut you need to adjust your mask so that the left side is aligned with the right side of the mask of the previous clip do this until you reach the middle of your shop you can always make your shot smaller towards to end so it will end right in the middle then
we are going to add a second star clip above the first start but what you now want to do is make all the cuts first and then one by one copy the opacity properties from the track below to the new star clip after you have done this you will offset the entire track 3 frames so that it starts when the first star clip is already one step further do this process another 6 to 7 times so that you can see a cool animation of moving masks I know it’s a tedious job but it will give a very cool effect once you are done with this you can nest it all together and now you have one clip with the mask animations the next thing to do is duplicating your nested sequence as many times as you want position them on the timeline on the point where your previous animations of the mask opens up on the left side when doing this you’ll create an endless loop of moving masks now again nest everything together make a duplicate of this nested sequence and in the effects panel search for flip horizontal add this to the top NASA sequence and now you have moving masks on both sides the only thing you now have to do is go to the effects control panel and in the opacity properties set the blending mode to screen you can also adjust the opacity to around 40% and before we forget add your green-screen shell to the top wallah there you have it a crew moving mask background
okay guys I know it’s a lot of information but hold on just a little longer because the next effect will be a short and easy one but with a super awesome result we’re going to recreate this 2d 3d effect from the music clip the most important thing of the effect is a camera movement they do this will determine the outcome of the effects we’re filming on the wide-angle lens so you can go really close to your subject when doing this you will create a bigger parallax effect without moving your camera too much let your subject stand still except for one element like his hands or even its eyebrow then while filming do small movement to one side this can be up or down or to the sides easy as that fire up again and now import your footage into a new sequence then look for the wanted starting position and make it cut there go a few frames further and time and again make it cut where your movement ends delete everything else when you only have your short clip of your movement duplicate this on the same track right next to the original right click on the duplicate and look for speed and duration check the reverse speed checkbox and that’s it you can now nest these two together and duplicate them as much as you want to create a longer effect just like this [] and that was it for today guys I know it was much but I hope you enjoyed it and learned everything you wanted to learn Thank You
